On Methods of Montage - Donovan
The exploration of how certain film techniques can affect human emotion has always fascinated me. The cutting methods Sergei Eisenstein explores in this excerpt have unique outcomes as to what the viewer experiences. Learning about these methods helps to understand the purpose of their use in film. Each method Eisenstein discusses is some what of an evolution of the last. Each method arose from a conflict with the ideals of the next, such as the transition from Metric to Rhythmic shooting as a result of the conflict between length of a shot and motion on the screen, and from Rhythmic to tonal shots when concerned about the overall feeling the shot provokes. (pg. 79) As we find more conflicts with how film can represent what the film maker intends, we arrive at more experimental methods that cannot easily be expressed in actual film but can be explored through the ideas of filmmaking.