Response - Methods of Montage – Sergei Eisenstein
Editing can be much more than
ending a scene and beginning a new one. More than a transition, the collision
of shots could be used to manipulate emotions and audience reaction and
interpretations. Like Kuleshov effect that depends on the subsequent scene the
audience has a different interpretation. Each one of the 5 montages theory
created by Eisenstein, has a different purposes. Metric montage is based purely
on the physical nature of time. Rhythmic, creates visual continuity but it may
also be used in order to keep with the pace of the film. Tonal use the
emotional meaning of the shots. Overtonal is for a more abstract and
complicated effect. Intellectual uses a combination of shots from the outside
of the film in order to create meaning.
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